Bulgarian-born French Expressionist Painter, 1885-1930,American painter, draughtsman and printmaker of Bulgarian birth, active in France. He attended secondary school in Vienna, returning in 1901 to Bucharest, where his family had settled, and working briefly in the office of his father's grain-merchandizing business. He was, however, already becoming passionately interested in drawing, for which he showed precocious talent. At the age of 16 he became the lover of a woman who ran a brothel and was allowed by her to draw the residents. In 1903 he moved to Munich, where he attended the art school run by Moritz Heymann. Related Paintings of Jules Pascin :. | Mother and child | La Petite Nana de Cassis | Libaja at the front of Mirror | Three model | Decumbence of Ailiyane | Related Artists:
Deak-Ebner, LajosHungarian Painter, 1850-1934
Mihaly Munkacsy1844-1900
Hungarian
Mihaly Munkacsy Locations
Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo".
Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.
William Lees Judson1842-1928
William Lees Judson was born in 1842 in Manchester, England, and moved to the United States with his parents when he was ten years old. After serving four years with the Illinois volunteers during the American Civil War, Judson studied art in New York and Paris. He settled in London, Ontario, where he became a successful portrait painter and art teacher. He moved to Chicago in 1890 but, suffering from failing health, he moved to Los Angeles in 1893. He settled on the banks of the Arroyo Seco in the Garvanza section of Los Angeles. A 1937 radio program noted that it was ??love at first sight?? when Judson saw the Arroyo Seco, and the area became his home for the rest of his life. Soon after his arrival, Judson was at the forefront of the Arroyo Guild of Craftsmen, an influential group of artists, sculptors and architects who fueled Southern California??s Arts and Crafts Movement. The beauty of the area stirred Judson to switch from portrait painting to landscapes, and his work attracted such favorable attention that in 1896 he was offered a professorship in drawing and painting at the University of Southern California. In the late 1890s, he founded the Los Angeles College of Fine Arts at his home in Garvanza (the present location of Judson Studios). In 1901, Judson's art college became USC??s College of Fine Arts, with Judson serving as dean from 1901 until his retirement in 1922. He died at his home in the studio building in October 1928.